“They’re both very social and love to host parties,” she shares. “Avery did deep research,” her stepmother explains, “and found unique fabrics, pieces of furniture, and quality artisans.”Ĭox kept the focus on easy entertaining. A base palette, working plan, and artwork suggestions allowed her to “build the design from the get-go with almost total buy-in,” she says. She began by conducting intensive research and was soon drawn to certain Art Moderne principles-organic silhouettes juxtaposed with linear architectural details, moments of saturated color and reflective materials against neutral fields, and entre-nous furniture setups-from the 1920s and ’30s. Once Cox had signed on, that reclamation process began on the first floor, where her father and stepmother wanted to underscore the home’s period-specific attributes. “The whole project was more of an interior reclamation,” he says, “of capturing the house and taking it back to an honest point when it might have been done originally.” Curtis insists he’s no preservationist, though he has an outsize reputation for maximizing a building’s potential while remaining respectful of its original scale, materials, and setting. William Curtis, of Houston-based firm Curtis & Windham Architects, had known the family for years, thanks to a multigenerational holiday retreat, a Wyoming dude ranch, that they shared. Everyone agreed: Even though the house was slated for an entirely new chapter, the vocabulary Cox would use to write it had to be familiar.Įven before hiring their decorator, the clients, Martin and Sherry Tucker Cox, had identified the architect they wanted to oversee the build. “Obviously I wanted to be the one to help do this, but it would also be a huge emotional lift-recreating it for my dad and my stepmom and still honoring the architecture and spirit of the home.” That spirit, says Cox, is characterized by a sense of creativity and fun, all packaged within a creamy white façade, curving cruise-liner corners, steel windows, and public rooms of throwback scale with ample sunlight. “They made me interview for this job,” recalls the Austin-based decorator of her father and stepmother, the home’s current residents. The fact that it was Cox’s own beloved childhood home was quite another. It was one thing to delicately update a rare 1930s Art Moderne house in the leafy Park Cities enclave of Dallas, where the inclination is often to raze architectural gems in favor of grander piles. Extra toppings (cinnamon, cocoa powder, etc) or flavorings (like vanilla and other flavored syrups, if that’s your jam)Īaaaand now my brain has been hijacked by the thought of jam.This project was a tall order for AD PRO Directory designer Avery Cox and her team.Trays, canisters, serving stands, or glass domes for baked goods. Coffee & espresso-making accessories like a milk frother, espresso tamper, knock box, frothing pitcher, etc.Spoons, stirrers, straws, and other accessories.Garbage bin for lukewarm coffee (kidding-just seeing if you’re paying attention/who had their coffee this morning!).Storage canisters or boxes (for storing anything from coffee beans to your choice of sweetener).Coffee machine (so many options! another post!).Here are some coffee bar ideas and suggestions (#1 is more like a requirement, unless you just adore instant coffee □): COFFEE bar IDEAS “What should be included in a coffee station?”
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